About three things I was absolutely positive: First, Edward was a vampire. Second, there was a part of him-and I didn’t know how dominant that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.
Acting is such a personal thing, which is weird because at the same time it’s not. It’s for the consumption of other people. But in terms of creative outlets and expressing yourself, it’s just the most extreme version of that that I’ve ever found. It’s like running, it’s exertion. When you reach that point where you can’t go anymore and you stop and you take a breath, it’s that same sort of clearing of the mind.
today, friday 13th, i had two things scheduled to happen. 1 was taking my drivers test (not really relevant to the purgatory thing but i feel the need to include it on the basis of friday 13th fuckery), 2 was picking up my diploma. as it turns out, somewhere between home and the dmv a taillight went out, so the administrator wouldnt let me take the test, and rescheduled me to NOVEMBER. so thats how my 9am went.
with that under our hats, me and my mom went to find my diploma.
it started bad. google maps did not recognize the address as existing. it took us several tries to convince it there was a west school avenue in anywhere but california, and when we finally did, the street names didn’t match. some of them just didn’t match the physical signs, but others changed or disappeared in the map itself. and as we approached, we discovered that the facility we were looking for was not only off the road, but the only way to get to it was through a backwoods neighborhood, inhabited EXCLUSIVELY by hicks sitting on their porches and judging us for some unknown sin.
finally, google says we’ve arrived. surely not, we whisper. please no. jesus christ. we’re faced with what appears to be a small penitentiary, the front of which is plain white with massive blinded windows, and the only parking in sight is through a gigantic chain-link fence. there is no signage anywhere whatsoever to indicate whether we’re allowed in, but there’s nowhere else to stop without blocking the teeny little road, so we pull in. the energy of this place is absolutely befuckened. we’re talking deserted. the parking lot is jam-packed, but there’s not a human in sight. it’s not a closed building either, more like a campus, with dozens of doors opening onto little courtyard areas. the doors are all either unmarked or covered in seemingly arbitrary words and numbers. some of them have strangely large locks and no knobs. some of them have keypads.
well by now we’re both thoroughly fuckin spooked, so my mom calls my dad to explain we were gonna be a little uh late and i go to find. something. anything. civilization, perhaps. i find a little hallway to the front of the building, where i can now see a gigantic sign declaring the name of the facility. the letters are two feet tall, but the exact same color as the roofing behind them. they are not faded. they were painted that way. beneath them is an easily 4-meter-tall arched metal gate, which is the only opening on the entire front of the otherwise clean building, and, therefore, logically represents the main entrance.
directly inside and left of the gate is a door with a cartoonishly large keypad lock and a sign which reads ‘NOT AN ENTRANCE.’ there are no arrows and no directions.
i turn around and head the opposite direction, down a long hall. at the end of it is a set of double doors which are shrouded in darkness. i’m about 30 feet away when there’s a flicker of movement behind the doors. then, out of the shadows, steps an old hick. “you look lost.” he says. “y-eAh” i reply. he enquires what i’m there for, and i explain my diploma. he directs me to a door next to a blue car. there is no logical way for the car to be inside the buildings courtyard, but it is no less next to a door. as i turn to see where i’m being directed, a young woman seemingly materializes in the middle of the hallway perpendicular to us, walking briskly. without slowing she turns to me, says “she’s making a pb&j sandwich,” and carries on her way. when i turn around the man is gone. when i turn back, she’s gone too. i run for my mom.
ngl at this point im dead fucking sure she wont be where i left her and when i find her the car will be gone and we’ll be trapped in this hellhole if we don’t get out before sunset, but she’s there, and we go and enter the door. inside we can hear idle chatter from an adjacent office. after a few seconds a woman comes out. she does not ask who we are. she asks whose diploma we want. we tell her mine. she pulls it out of a stack of loose paper, hands it to us without another solitary word, and bids us farewell.
mom drove outta there about 70mph and tbh i wouldve done the same that was an evil place and i do not plan on returning
You went to Hell’s waiting room
“the energy of this place is absolutely befuckened”
if you’ve ever wondered what it’s like to live in the midwest, this is it.
You missed some of the best ones
the best part about it is that the art installation isn’t actually called the Bean. It’s called Cloud Gate, and artist Anish Kapoor (yes, THAT Anish Kapoor) hates that we call it the Bean.
But i mean, look at it. It’s a bean.
How could you forget this one though
I HAD NO FUCKING IDEA THAT THE BEAN WAS CREATED BY ANISH KAPOOR.
someone help me why is anish kapoor important what did he do?
Alright sit down for some Art World Drama bcause this is what I live for.
So, sometime last year (?) science invented Vantablack, which is the darkest possible shade of black. Art world got incredibly excited. But as it needs to be very carefully made in a lab, it’s hard to get a hold of, and is extremely expensive. Enter Anish Kapoor, aka FuckFace McGee. Anish Kapoor buys the rights to Vantablack. He is the only human being on the planet that can legally use it, and he’s kind of a prick about it.
Art world is not thrilled with that.
Enter Stuart Semple.
Stuart Semple is an artist, and also makes pigments to sell in his free time. Stuart Semple is astoundingly pissed about this Vantablack nonsense, and Anish Kapoor’s dickery. Stuart Semple makes a new pigment, the brightest shade of pink ever, called Pinkest Pink, and puts it for sale on the internet. To be bought by everybody except Anish Kapoor. Literally, to purchase, you need to confirm that you are not Anish Kapoor, do not associate with him, and will not sell or give the pigment to Anish Kapoor or his associates. Art world has a good laugh, everyone buys Pinkest Pink because it’s awesome, and damn it we deserve something.
Anish Kapoor however is a penis, and will not take this lying down, because HOW DARE he not have literally everything.
Anish Kapoor gets his London associates to buy him a thing of Pinkest Pink, and being such a classy human being, posts a picture to instagram of him with his middle finger covered in Pinkest Pink, captioned with “Up yours. #pink”
Everyone flips shit, because. Y’know. Fuck that guy. Especially Stuart Semple. For context here, Anish Kapoor is one of the richest artists on the planet, and has repeatedly been referred to as everything wrong with the art world, and the epitome of the art worlds elitism problem. He’s a giant douchebag. Meanwhile Stuart Semple makes pigments just to get them out there. He turns 0 profit from his now enourmously popular pigments.
Stuart Semple launches an investigation as to who the fuck leaked Pinkest Pink, and plans to strike back. He does so by releasing two new products. First is Diamond Dust, which is a glitter made from glass, so that a painting is still visible after it’s applied, but glitters like a mofo. It’s the most reflective glitter out there, and is available to everyone who isn’t Anish Kapoor. And it being made of glass, if you stick your finger in there, it’s going to hurt quite a bit, so that was Stuart Semple’s way of saying “shove your middle finger in this, asshole, see what happens”. Except without saying that, because he can get an insult across while still being fucking classy.
He also releases Black 2.0, created with the help of over a thousand artists worldwide.
Black 2.0 is the answer to Vantablack. Black 2.0 is a slightly less black black, but looks functionally the same to the human eye. It’s completely safe, smells like cherries, and costs four pounds. Vantablack is highly toxic, potentially explosive, needs to be applied in a special laboratory and sealed properly, can’t be moved across borders, can reach 300 degrees celsius if you’re not extremely careful, and costs thousands of dollars. Anish Kapoor is the only human being who can use Vantablack. He is the only human being who cannot use Black 2.0.
So I think we can guess who got the better deal.
And thus the feud ends, Kapoor defeated.
…But not quite.
Kapoor, in this entire afair, has made exactly two comments to the public. The first being his charming message about aquiring Pinkest Pink, the second being claiming to Buzzfeed that he and his small army of lawyers will be suing Semple, an extremely poor artist who cannot afford a lawyer.
No lawsuit has been made yet, fyi.
The point is, Kapoor is a prick, and doesn’t like talking to the lower classes. So one day in July 2017, he decides he needs another floor on his London studio apartment, and starts making arrangements to have it built. His neighbors are fucking pissed, because this will ruin the light of their apartments. They call to Semple to save them, or at the very least piss Kapoor off some more.
Semple answers to the call, and releases two new paints, Phaze and Shift, as always, banned to Kapoor. They change colours, Phaze with temperature, and Shift is just iridescent. Shift needs to be painted over Black 2.0 to work, and Phaze just works on its own.
So that’s been the art world for the last two years.
Basically, get fucked Anish Kapoor your bean sucks and so does your vantablack.
write write write 